January 2023 news!

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CSV News in 2023!

We’ve hope you’ve had some restful holidays. Here at CSV we’re ready to kick off the year with some incredible programming!

CSV is pleased to announce its annual media-art-creation grant competition is now open. The organization seeks to issue a single grant in order to maximize the impact of limited funding, however at the jury’s discretion, the funds and credits may be distributed to more than one project.

Grant funds may be used for production, post-, and/ or presentation purposes. A single project may receive a maximum of $3,000 in equipment credit, $500 toward production materials, and a $1,000 artist fee. The equipment credit may be used for post-production gear; operator fees are not eligible to be off-set.

*Open to CSV members only

Apply Here

These Are My Reparations Opening Event

Join us for the opening event of These Are My Reparations by Kim Ninkuru.

When: Saturday, Jan 14th at 7pm
Where: CSV Gallery (76 Geary Ave.)

CSV Gallery is the location for “episode 2: werk” of the multisite project.

In-Person Exhibition Dates: January 13 – February 11

Conceptualized by Kim Ninkuru, These Are My Reparations is a sci-fi*, multi-media installation that directly addresses the way in which Black feminine people are taken, used and distorted for mass consumption. This work uses a hybrid of film, sculpture, sound, and online interactive media to tell the story of Honey, a Black woman, who is abducted by “The Company”, a corporate entity built to reproduce sound and visual content for the purposes of social control. Taking place in a future where live entertainment doesn’t exist, Honey is forced to sell her image and music to be used by an AI robot named RadioHead, which is accessed by the rich elite.

www.thesearemyreparations.com

*photos below of installations in progress*

Jobs / Crew Calls / Opportunities

Do you want CSV$?

We are looking for volunteers! Charles Street Video offers members CSV$ equipment rental credits for volunteer hours. We are currently looking for gallery attendants and general help during office hours. We give volunteers a $20 credit for each volunteer hour. If your interested signup below:

CSV Volunteer Signup!

Do you want to Post Crew positions or are you a crew member looking for work!

Fill out the form below and we will include your post in our next newsletter!

Crew Position Form

CSV Member Highlight

Born in Iran, Rod Hafezi immigrated to Canada at the age of 10 and found his love for cinema and visual storytelling while learning English. It was during this pinnacle time that he was able to understand stories without actually speaking the language. This gift has given him the ability to pull away from using narrative in his work unless it is absolutely integral to the story.

As a director and a cinematographer, Rod is skilled at simplifying scenes, shot by shot, resulting in a body of work consistent in its universality. His work on the short documentary “The Matchbox Series” uses visual storytelling to communicate a sense of loss in Toronto’s housing crisis. Powerful stories have the ability to have an impact, Hafezi seeks to find the visual connections and allow the audience to feel the corresponding emotions.

Can you talk a little bit about your creative background and artistic journey?

Growing up in Iran I was exposed to poetry from a young age. My uncle was a poet and the Persian culture as a whole had an immense impact on my creative background and artistic journey. I grew up in a family that was not religious in a country that imposed Islamic laws on its citizens. This oppressive regime has tried to erase Persian culture but the resilience of the creatives within Iran have kept the essence of our culture alive through art. Long road trips, mountains, rivers, I will never forget the beauty of Iran experienced through the back window of our family car. When we emigrated to Canada I was surprised by the differences between the two countries. I felt like I was living in a movie and everyday felt like an adventure. Music, movies, and art is how I was able to connect with people and at that point I realised their power. I wasn’t sure what I wanted to do but I knew it had to be in the creative world.

What led you to filmmaking? (or other artistic practice?)

After graduating from York University with a bachelor in history and philosophy I took a year to think about my professional future. I was serving/bartending at Jack Astors and decided to purchase a film camera (Nikon F3) and travel down to California to shoot some stills. I took 5 rolls of Kodak Ektar and started my journey in San Francisco and travelled south on the Pacific Coast Highway ending my trip in Arizona. This was an absolute transformative journey, and I remember thinking to myself, If I am unable to capture this beautiful part of the world perhaps I should look into a different career. The day after I landed I dropped off the films to get developed and I was very happy with the results! That experience gave me the confidence to follow my creative side and eventually led me to become a visual storyteller.

What kind of stories do you want to tell?

I want to tell the kind of stories that bring humanity forward. I am captivated by social constructs and how people can break through the molds our society has put them in. It is really important for me to keep stories simple but find a way to elevate them and give them a new perspective.

What is one piece of advice you would give to your younger artist self?

Dream big and be consistent! You are in control and you have a say in your destiny so why not try and do something extraordinary.