| | | | | | |
|
| | | | | | |
|
Filter 4x5.65 Black Pro-Mist ⅛Artist $4 day (Cultural $6 day)
Reduces Highlights and Lowers Contrast
Softens Wrinkles and Blemishes
Creates a Soft Quality of Light
|
| | Filter 4x5.65 Clear (Schneider)Artist $4 day (Cultural $8 day) During stunts which can damage a lens, Schneider Optical Flats protect expensive front elements and other filters while providing the truest image, free of unwanted color shifts. Made from Schneider’s clear optical glass, these filters minimize or eliminate the need for laboratory color correction caused by filter variations. Both the front and rear surfaces of these solid-glass (non-laminated) filters receive Schneider’s hard anti-reflective (AR) coating, which measurably improves light transmission.
|
| | Filter 4x5.65 Linear Polarizer (NiSi) Artist $6 day (Cultural $7.50 day) NiSi’s Linear Polarizer uses the same high quality optical glass as the rest of the NiSi line. This, coupled with Nitto polarizer film, creates a filter with a 99.9% polarization rating.
Eliminates Reflections and Glare
Greater Color and Tonal Saturation reduces Haze in Landscapes
True color without the warming cast that is seen with many other CPLs
Cine Sealed Technology to seal the polarizing film
Waterproof Coating
Ultra High Definition
4mm thick
|
| | Filter 4x5.65 ND.3 IR (Lindsey Optics)Artist $4 day (Cultural $8 day) This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.3 (1 stop) and therefore reduces transmission by 50%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
|
|
|
Filter 4x5.65 ND.6 (Schneider)Artist $4 day (Cultural $8 day) This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.6 (2 stops) and therefore reduces transmission by 75%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
|
| | Filter 4x5.65 ND.9 (Schneider)Artist $4 day (Cultural $8 day)
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.9 (3 stops). A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
|
| | Filter 4x5.65 ND1.2 (Schneider)Artist $4 day (Cultural $8 day)
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.2 (4 stops). A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
|
| | Filter 4x5.65 ND1.5 IR (Schneider)Artist $4 day (Cultural $8 day)
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.5 (5 stops). A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
|
|
|
Filter 4x5.65 ND1.8 IR (Tiffen)Artist $4 day (Cultural $8 day) The Tiffen 4 x 5.65" Full Spectrum IRND 1.8 Filter is a combination of both an infrared control filter and a 1.8 neutral density filter. An IRND is ideal for HD cameras, which have greater low-light sensitivity and, subsequently, an increased susceptibility to IR contamination. When using a standard neutral density filter to counter the increased light sensitivity afforded by the HD sensor, the effects of infrared pollution become more apparent. This filter combines an ND filter with a comparable IR control filter to eliminate the spill of infrared light reaching the sensor while still maintaining the extra exposure benefits of a neutral density filter.
This filter is constructed from Water White glass and is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 5.65" / 101.6 x 143.5mm.
Infrared control filter helps to block infrared pollution from affecting the color fidelity of imagery; this enables a wider color gamut and truer colors, especially noticeable in the darker regions of the image.1.8 neutral density filter provides a 6 stop exposure reduction.Water White optical glass for excellent clarity.
|
| | Filter 4x5.65 ND2.1 IR (Tiffen)Artist $4 day (Cultural $8 day) The Tiffen 4 x 5.65" Full Spectrum IRND 2.1 Filter is a combination of both an infrared control filter and a 2.1 neutral density filter. An IRND is ideal for HD cameras, which have greater low-light sensitivity and, subsequently, an increased susceptibility to IR contamination. When using a standard neutral density filter to counter the increased light sensitivity afforded by the HD sensor, the effects of infrared pollution become more apparent. This filter combines an ND filter with a comparable IR control filter to eliminate the spill of infrared light reaching the sensor while still maintaining the extra exposure benefits of a neutral density filter.
This filter is constructed from Water White glass and is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 5.65" / 101.6 x 143.5mm.
Infrared control filter helps to block infrared pollution from affecting the color fidelity of imagery; this enables a wider color gamut and truer colors, especially noticeable in the darker regions of the image.2.1 neutral density filter provides a 7 stop exposure reduction.Water White optical glass for excellent clarity.
|
| | Filter 5x5 Linear Polarizer (Schneider)Artist $6 day (Cultural $7.50 day) This is by far the most effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol, claims its manufacturer, is considerably more effective than other polarizing filters, and is unmatched in its ability to:
reduce glare and unwanted reflections
saturate colors
deepen blue skies
improve contrast
penetrate haze
Schneider info: "True-Pol Polarizing filters enable you to achieve a level of optical performance previously unavailable to cinematographers."
|
| | Follow Focus - Chrosziel Magnum WirelessArtist $135 day (Cultural $250 day) agNum by Chrosziel - the first truly ergonomic wireless lens control system MagNum offers a striking new concept for remote lens control systems. It is a focus puller's dream come true: Ergonomics perfectly tuned to the requirements of 1st AC's turn long days on the set into pure joy. A dual band frequency selector ensures transmission reliability. Intuitive handling guided by menus. Professional users participated heavily in optimizing ergonomics and functionality. They helped to make sure MagNum offers outstanding value for money.
Chrosziel offers MagNum kits which offer a significant price advantage over purchasing each component separately. MagNum 101 Kit Single Channel (MN-101KIT-M) is based on the single channel version which controls focus. The MagNum kits contain all the equipment you need in order to remote control a lens: One motor per channel with gears of all pitches. A clamp holder for 15 and 19 mm rods. All necessary motor cables, a power cable with D-Tap plug and a sturdy hard case with foam inserts for safe transport of the MagNum kit. A mounting bracket for the receiver (MN-RMB1) so it can easily be mounted the camera's hot shoe or cold shoe.
All MagNum version include
• The ergonomically optimized hand unit
• Symmetrical design, equally ergonomic for left handed operation
• The compact size of transmitter and receiver
• Lightweight (2-channel receiver 262g and transmitter fully equipped only 577g)
• Transmits in the worldwide free frequency band of 2, 4 GHz
• Intuitive, menu guided operation by membrane keys and color-OLED display
• Four freely assignable hotkeys
• Spectrum Analyzer, shows the best transmission channel
• Calibration of lenses also doable with the receiver (controller)
• Fluid damped hand wheel
• Electronic "Hold", captures the actual settings and keeps them
• Indicator LED for all functions on the receiver (controller)
• Magnifier function for "near" and "remote". (This means, the range around the nearest or the indefinite lens setting is spread especially without losing the opportunity to go to the other end stop.)
• Spreading of any lens range to one turn of the hand wheel
• Selection between scale ring and scale disk
• Record start stop signal for the camera
• Motor power adjustable
• USB port
• Battery level indicator for camera and hand unit
• 5 x 1/4"-threads on the hand unit (transmitter)
• Includes rechargeable battery, type Sony FM 50, Li-ion (art. no: MN-BAT)
• Includes charger for above battery
|
|
|
| | Follow Focus - Nucleus-M Wireless KitArtist $75 day (Cultural $125 day) The Tilta Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.
Included Accessories
(1) Wireless FIZ hand unit
(2) Brushless wireless motors with 19mm rod support and 15mm rod bushings
(1) Right wireless handle
(1) Finger wheel
(1) Zoom toggle
(1) Left wireless handle
(1) Finger wheel
(4) Follow focus marking disks
(1) 74cm 7-pin to P-tap motor power cable
(1) 55cm 7-pin to 7-pin motor connection cable
(1) 18cm 7-pin to 7-pin motor connection cable
(2) Photographic lens follow focus adapters
(1) 18650 quad battery charger (batteries NOT included)
(2) Handle to Arri Standard Rosette adapters
(2) Handle to gimbal bar adapters (compatible with 25mm/30mm rod diameters)
(1) Wireless FIZ hand unit strap
(1) Hard shell waterproof safety case
|
| | Follow Focus- Chroziel UniversalArtist $20 day (Cultural $23 day) This item can work with all CSV cameras.
Includes:
2 follow Focus disks (use white dry erase marker only)
1 Off-Side Focus Handle
1 12 inch whip
1 L-Shaped Crank
1 5/32 inch Allen Key
1 Adapter 15:19mm for rods
1 universal lens gear
|
| | |
|
| | Matte Box - ARRI LMB 4x5 Basic ModuleArtist $25 day (Cultural $35 day) The LMB 4x5 Basic Module from ARRI is the starting point for the modular LMB 4x5 lightweight matte box, a configurable filtration and flare suppression system for professional filmmaking setups.
Included accesories:
(1) Basic Module
(2) Non-Rotatable Filter Stage
(1) Backplate
(1) Top/Bottom Flag
(1) 15mm Lightweight Support Console
(1) Tilt and Flex Adapter
(1) Clamp Adapter 114mm
(1) Clamp Adapter 95mm
(1) Clamp Adapter 87mm
(1) Clamp Adapter 80mm
|
| | Matte Box - Arri MB-18 15mm studio spacingArtist $30 day (Cultural $50 day) The MB-18 is an industry standard production matte box suitable for 15 mm studio support rods.
Main Features
Filter Size: 4" x 5.65", 4.5" round
3-filter stage (1 geared, 2 non-geared)
Swing away mechanism
French flag holder
Top / bottom and side flags
Please note: requires studio bridge plate (rented separately), not for 15 mm lightweight support
|
| | Matte Box - Chroziel 405 UniversalArtist $20 day (Cultural $25 day)
1 Chrosziel Matte box
2 rods
1 top French flag
1 left wing
1 right wing
1-5 x 5 filter holder
1-4x4 filter holder
1 handle
110mm donut
450-20 donut
410-11 donut
Mini flathead screwdriver
|
|
|
Matte Box - Petroff 114mm Clip on or Rails 5x5Artist $20 day (Cultural $25 day) Petroff 5x5 2-stage matte box is a fully modular matte box that includes two filter stages, top flag, side flags and 19mm rod support 114mm clip-on adapter (works with CP primes). The two 5x5 filter stages rotate 360 degrees independently, with the ability to block stages.This matte box works with external lens diameters up to 136mm.
|
| | | | SmallRig mini Matte Box ProArtist $5 day (Cultural $10 day) Compatibility:
1: Φ95mm cine lens
2: Any 4 x 4”/4 x 5.65”, 4mm thick filters
3: Φ52-Φ55-Φ58-Φ62-Φ67-Φ72-Φ77-Φ82-Φ86 filter and any ND, GDN, CPL, UV filter of up to Φ92.5mm
4: Any Φ52-Φ55-Φ58-Φ62-Φ67-Φ72-Φ77-Φ82-Φ86 lens
5: Φ15 rod
Works perfectly with our:
-DZO Pictor Zoom kit
-Leica Lens kit
-Nikon Lens kit
& Others.
|
| | |
|
| | Wooden Camera V-Lock Base StationArtist $2 day (Cultural $5 day) The Wooden Camera V-Lock Base Station can bolt into a 1/4-20 or 3/8-16 hole using the included screws. Set screw can also be installed to prevent twisting. Additionally the Base Station has the hole pattern for the ARRI accessory mount pins. The Base Station is also threaded for 1/4-20 and 3/8-16 so accessories can screw into it.
|
| | X-Rite ColorChecker cardArtist $2 day (Cultural $2.50 day) The ColorChecker® Classic target is designed to deliver true-to-life image reproduction so photographers can predict and control how color will look under any illumination. Each of the 24 colors represents the actual color of natural objects and reflects light just like its real-world counterpart.
|
| |